No Spoilers Episode 3: Point Blank, Lee Marvin & Hard Hitting Cuts.

Any Tom, Dick & Harriette can continuity cut, takes a master editor/filmmaker to edit in a variety of styles. I stumbled on this great piece of filmmaking as I was digging throught the crates (aka DVD collections) as I prepare to re-design my home office and update my gear. POINT BLANK directed by John Boorman, edited by Henry Berman.

I won't pretend to remember all the different style names from my Film Aestetics Class I took in the 90's but POINT BLANK uses a mixture of techniques that should be watched again and again.

There is what I call a time-matchcuts that break the timeline of the film, smash-cut flashbacks and a great opening title sequence that echoes the main characters mood, imagine being in the mind of an angry Lee Marvin. My Favorite is the Time shifted editing; using dialogue or sounds from other scenes that span the movie timeline. Hard to describe but It's that Steven Soderbergh Limey style like montage sequences (which he admitily inspired the style of The Limey; haven't seen that one, that is another one to watch again and again)

I think this is one of the hardest techniques since it's like pig latin of filmmaking. It's a variation on the film language. So, you have to teach the audience the new languge code with limited time without loosing them. It is not for the faint of heart because your playing with fire. If you do it and it fails you lost your audiences trust and probably their interest. Point Blank succeds in not loosing you, as it jumps around aggressively, very echoing the protagonist.

I know your saying, this movie or that movie does that even better but this was before non-linear editing, made on a movieola or a Steinbeck. Imagine editing Momento, Pulp Fiction, The Limey... I takes a cetain determination and coincidentaly a Lee Marvin like resolve to introduce this style of filmmaking in those technical conditions.

I won't say that it goes on for the whole movie because it is doesn't. It is mostly a conventionally edited movie with strong composition and great late '60s style. Which is reason enough to watch this movie. However, watching how this type of editing techniques being used is like watching a tight rope walker, juggling, without a net. Bold.

PS. I haven't done one of these in a while but I have a feeling that I will in the near future, things are changing around the "old Republic" aka Gorilla Productions...